The Writer as a Squad of Cognitive Designers

OK, I am going to stretch some analogies here. No pretense for comprehensive overview or scientific method, just plain hypothesizing about the nature of story writing. The reason – it’s fun. Also, I have found out for myself that relating writing as a process to cognitive theories helps me think more clearly about the former and more enthusiastically about the latter. The post is a bit technical, but I have tried to provide brief explanations and relevant links where needed.

Sitting in a series of lectures on cognitive robotics and spatial cognition this week, I have been bouncing around my brain various sporadic thoughts, only vaguely related to the courses in question. So, here follow, very sketchy and somewhat amorphous, a few ideas about writerly roles.

Writing as astral projection (in your own brain)

 What does it take to write good sensory descriptions, to help the reader walk in the shoes of a character, to wrest emotions of fear and disgust out of her, to pump some adrenaline in her bloodstream? Samuel Delany wrote in an essay (either in The Jewel-Hinged Jaw or in About Writing; too bad I don’t have the books to check and provide quotations) that the first step of the writing process is that of imagining a scene as fully as possible. Continue reading